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Stargate SG 1

Stargate SG 1

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Stargate SG-1 (stylized as STARGᐰTE SG·1 and often abbreviated SG-1) is a Canadian-American military science fiction adventure television series and part of Metro-Goldwyn-Mayer’s Stargate franchise. The show, created by Brad Wright and Jonathan Glassner, is based on the 1994 science fiction film Stargate by Dean Devlin and Roland Emmerich. The television series was filmed in and around the city of Vancouver, British Columbia, Canada. The series premiered on Showtime on July 27, 1997 and moved to the Sci Fi Channel on June 7, 2002; the final episode first aired on Sky1 on March 13, 2007. The story of Stargate SG-1 begins about a year after the events of the feature film when the United States government learns that an ancient alien device called the Stargate can access a network of such devices on a multitude of planets and in space. SG-1 is an elite United States Air Force special operations team, one of about 20 teams from Earth who explore the galaxy and defend against alien threats such as the Goa’uld, the Replicators and the Ori. The series draws upon Egyptian mythology, Greek mythology, Norse mythology and Arthurian legend

 

Stargate SG-1 takes place in a military science fiction environment and employs the common science fiction concepts of strongly differentiated characters fighting an unequivocally evil enemy (the Goa’uld). However, it links alien races with well-known Earth mythologies, by use of the central Stargate device. Near-instantaneous interplanetary travel allows quick narrative shifts between the politics on Earth and the realities of fighting an interstellar war. Stargate SG-1 gradually evolves the basic premise of the Stargate film into its own unique mythological superstructure, expanding upon Egyptian mythology (notably the gods Apep/Apophis and Anubis as Goa’uld villains), Norse mythology (notably the god Thor as an Asgard ally) and Arthurian legend (notably Merlin as an Ancient ally against the god-like Ori), among others. SG-1 introduces new alien races (as opposed to alien human civilizations) less often than other science fiction television series and integrates newly encountered races or visited planets in stand-alone episodes into its established mythology while leaving the plotlines accessible for new audience members. Despite the show’s extensive intergalactic mythology and science fiction elements, scholar M. Keith Booker considered SG-1 ultimately character-driven and heavily dependent on the camaraderie among the SG-1 members.

The producers embraced humor and wanted SG-1 to be a fun show that did not take itself too seriously. Brad Wright regarded SG-1 as a family show with adequate violence as opposed to random or gratuitous violence. Christopher Judge did not consider SG-1 as a “message show by any stretch of the imagination, but occasionally there are messages there”. Aimed at a popular audience, Stargate SG-1 emphasized its present-day-Earth story frame by frequently referencing popular culture, like The X-Files and Buffy the Vampire Slayer had done before. Jonathan Glassner had written The Wizard of Oz references into his own scripts since the first season, which the other writers imitated after Richard Dean Anderson began referencing the film on his own. O’Neill references Richard Dean Anderson’s favorite television series, The Simpsons, throughout the show. SG-1 makes meta-textual references to the process of writing and filming a science fiction TV series in several episodes and alludes to the main actors’ previous TV roles in the pilot episode (Carter: “It took us fifteen years and three supercomputers to MacGyver a system for the gate on Earth”) and in a Farscape vignette in the milestone episode “200”.

The plot of Stargate SG-1 picks up a year after the conclusion of the events recounted in the original feature film. It follows the present-day adventures of SG-1, a military team from Earth. SG-1 and a dozen other SG teams venture to distant planets using an alien portal known as a Stargate, which in the series is housed in a top-secret United States Air Force military base known as Stargate Command (SGC) in the underground Cheyenne Mountain Complex in Colorado Springs, Colorado. In the first eight seasons, the mission of the SG teams is to explore the galaxy and search for alien technology and allies to defend Earth against the Goa’uld, a snake-like parasitic alien race from planet P3X-888 that takes humans as unwilling hosts. As explained in the series’ backstory, the Goa’uld had transported human slaves from Earth to other habitable planets across the galaxy thousands of years ago and now pose as gods of old Earth mythologies, particularly Ancient Egypt. SG-1 eventually learns that highly evolved human-like beings, known as the Ancients, had originally built the Stargate network millions of years earlier, before ascending to a higher plane of existence, after which they pledged not to interfere in the lives of other species. The Ori, a faction of the same race as the Ancients who instead use their powers to subjugate other species by religious indoctrination, assume the role of the main antagonists in Season 9 and Season 10.

Goa’uld Arc

The Cheyenne Mountain Complex in Colorado, United States is home to Earth’s fictional Stargate Command in the Stargate universe.

The pilot episode (“Children of the Gods”), set one year after the events of the original feature film, introduces the Goa’uld System Lord and main villain Apophis (Peter Williams) as he attacks Earth’s mothballed SGC military base through the Stargate and kidnaps an airman. The SGC is brought back into action when the Stargate is revealed to be part of an interplanetary network connecting countless planets. SG teams are created to help defend Earth against the Goa’uld, who have interstellar pyramid warships and vast armies of Jaffa (hereditary slaves and human incubators to the Goa’uld) at their disposal. Earth’s flagship team SG-1, which includes Apophis’s defected First Prime (lead Jaffa soldier) Teal’c, initiates several alliances with other cultures in the galaxy, such as the Goa’uld-like but truly symbiotic Tok’ra, the advanced human Tollan, the pacifist Nox, the benevolent Roswell-alien Asgard and remnants of the powerful Ancients. Another alien threat arises in the Season 3 finale (“Nemesis”) in the form of sentient machines called Replicators. Meanwhile, rogue agents of a shadowy intelligence agency on Earth, the NID, repeatedly attempt to take control of the Stargate and other alien technology. Despite Apophis’s death in the beginning of Season 5, the Goa’uld Empire remains a major foe in Stargate SG-1 until the end of Season 8. The only influential Goa’uld in the last two seasons of Stargate SG-1 is the System Lord Ba’al (Cliff Simon), who is defeated in the direct-to-DVD film Stargate: Continuum.

Anubis Arc

After Apophis’s defeat in the Season 5 premiere (“Enemies”), the half-Ascended Goa’uld System Lord Anubis (David Palffy) assumes the role of the primary antagonist of the show. This new villain possesses much of the knowledge of the Ancients and their technology. While Earth builds its first interstellar spaceship (the Prometheus) in seasons Season 6 and Season 7, Anubis creates an army of almost invincible Kull Warriors and wipes out or subordinates most of his adversaries amongst the System Lords. In the Season 7 finale (“Lost City”), SG-1 discovers a powerful weapon in an Ancient outpost in Antarctica that annihilates Anubis’s entire fleet and also sets the stage for the spin-off series Stargate Atlantis. Ba’al subsumes much of Anubis’s power in Season 8, while Anubis, who survived the destruction of his fleet in a disembodied form, quietly begins to re-assert his influence. Human-form Replicators begin to conquer the System Lords, but SG-1 finds and adjusts an Ancient weapon to destroy all Replicators throughout the galaxy. Near the end of Season 8 (“Threads”), it is revealed that the benevolent Ascended being Oma Desala (Mel Harris) is responsible for Anubis’s original ascension. When she engages Anubis in an eternal stalemated battle on the Ascended plane to prevent his acting on the mortal plane, the Replicators and most System Lords have already been annihilated and the Jaffa win their freedom from Goa’uld rule.

Ori Arc

The original SG-1 team disbands after the events of Season8, but slowly reunites under new team leader Lt Col. Cameron Mitchell after the SGC inadvertently draws the attention of the Ori to the existence of sentient life in the Milky Way; the Ori are revealed to be a faction of ascended Ancients residing in another galaxy that are diametrically opposed to the Ancients’ belief in strict noninterference in the lower planes of existence, sapping the energy from untold billions of “lower beings” (non-ascended sentient beings) by means of their worship in a religion called Origin. While the Ori send enhanced human beings named Priors to the Milky Way to convert the galaxy to Origin, Ba’al and some minor Goa’uld infiltrate Earth through The Trust (a coalition of rogue NID operatives) to rebuild their power. At the end of Season 9 (“Camelot (Part 1)”), the Ori begin an evangelistic crusade with their warships and effortlessly wipe out the combined fleet of Earth and its allies. The leader of the Ori, Adria (Morena Baccarin), is introduced in the premiere of Season 10 (“Flesh and Blood (Part 2)”). SG-1 searches for the Sangraal, an Ancient weapon that might defeat the Ori, while Ba’al and his clones attempt to find the weapon for their own purposes. With the help of the powerful Ancient Merlin (Matthew Walker), SG-1 finds the construction plans of the Sangraal and sends a working version to the Ori galaxy. Shortly thereafter, Adria ascends. The direct-to-DVD film Stargate: The Ark of Truth ends the Ori Arc.

Collaboration with the military

Generals Michael E. Ryan and John P. Jumper, USAF Chiefs of Staff, appeared as themselves in “Prodigy” (2001) and “Lost City” (2004).

The U.S. Department of the Air Force, through the Air Force Office of Public Affairs, Entertainment Liaison in Los Angeles, co-operated closely with the Stargate SG-1 producers. Before the beginning of the series, the Air Force granted production access to the Cheyenne Mountain complex to film stock shots. They also read every script for mistakes and provided help with plausible background stories for all characters, ribbons, uniform regulations, hair advice, plot lines and military relationships & decorum on an active military base.The USAF flew up several T-38 Talon, F-15 and F-16 fighter jets to Vancouver for various episodes and direct-to-DVD films. Many of the extras portraying USAF personnel were real USAF staff.

Two successive Chiefs of Staff of the Air Force, Generals Michael E. Ryan and John P. Jumper, appeared as themselves in Season 4’s “Prodigy” and Season 7’s “Lost City”, respectively. General Jumper’s second scheduled appearance in Season 9’s “The Fourth Horseman” was cancelled due to ongoing real-world conflicts in the Middle East. The Air Force Association recognized Richard Dean Anderson at its 57th annual dinner on September 14, 2004 for his work as actor and executive producer of the show and for the show’s positive depiction of the United States Air Force.

Several scenes of Season 4’s “Small Victories” were filmed aboard and outside a decommissioned Russian Foxtrot-class submarine, which had been brought from Vladivostok to Vancouver by a private owner. The United States Navy invited the cast and producers to film aboard the nuclear submarine USS Alexandria (SSN-757) and at their Applied Physics Laboratory Ice Station in the Arctic for the direct-to-DVD sequel Stargate: Continuum.

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